Wednesday, March 12, 2014

Musical Benefit, Felts Gifts Raise $5,525 To Abet Hunger

Musical Benefit, Felts Gifts
Raise $5,525 To Abet Hunger
The fortunes for feeding the unfortunate in South Brewster County have looked up. Mike Drinkard, an advocate with the Family Crisis Center of the Big Bend, posted the reassuring dollars Tuesday.
The musical benefit that Pat O'Bryan put together at the Starlight Theatre Sunday raised $2,860 for those who might go hungry. There were 360 people in 168 households in that category in February.
The gifts remembering Glenn Felts reached $2,665.
That's a total of $5,525, and those that benefit include up to 40 percent children. The number of households fluctuate monthly. Monthly pledges at the benefit totaled $1,000.
"There have been months lately when we didn't have enough food," Drinkard said. "With more money, I think we can get more options and talk to food producers. Maybe we will contact ranchers and see if they have some cows lying around. We could have meat that way. We're just looking at different options."
Right now, the food comes from West Texas Food Bank. The money to buy it--it is cheap and sometimes free--is donated by individuals and businesses. The food bank pays for the gas to pick up and deliver it.
"There used to be a lot more meat, a lot more protein," Drinkard said. "I look at the food bank list for ordering often, especially watching for meat to appear. There have been months when there appears not to be meat anywhere in the world."
He said the government was to cut back on money going to the United States Department of Agriculture, and that meant there was going to be a lot less USDA stuff at the food bank.
Micheal Drinkard at the FunDraiser (Photo by Voni Glaves)
"The food bank has a website. It's everything that they have," Drinkard explained. "We watch the list and wait to see if there is enough of any one of the items. So if there is enough of what we really want, we have to order fast because we competing with agencies all over West Texas.
"Sunday they had gotten boneless turkeys, and we needed 41 of the 75 cases. If I waited until I got to the office Monday, someone in Midland or elsewhere might have taken all the turkeys, so I ordered that night."
In a year it could be up to 300 households that use the crisis center's service. It's not the same 160 households every month.
"In a typical household, people are working. They just don't make much money," Drinkard explained. "It's not a bunch of people who drink every night."
It's like there are two typical households, he said. We don't see all the kids, but we see these young families. Then there are a lot of households that are single, and they are not old, but they are approaching 60 or older. The average age down in Terlingua is a lot older than in other places.
"I would say the south half of the county is 2,000 people," Drinkard estimated. "It's about 50-50 Anglo and Hispanic who need food.
The crisis center in Terlingua is a small outreach office. It is primarily there to help people who are victims of crime. There are volunteers.
"If you have been a victim of crime--and the crime could have happened along time ago--what happens to you in childhood sets you up for the rest of your life," Drinkard said. "Suddenly, you're not yourself. You're off balance. You need to recover from that.
"It seems like food can be a big part of that, taking away that worry. I think if you give somebody food, it will help them hold their head up and make them more confident, less vulnerable."
The center serves whoever comes in. "It would seem rude to say 'go away, you don't fit the client base,'" the advocate said. "Sometimes somebody is just walking through. They just ended up here, and they don't have any food. They were going to eat whatever they found on the side of the road, I guess. So we will give them some stuff.
"It will give them the strength to move on. We don't have many resources here."
As for donations, if people will write Family Crisis Center, Terlingua, on their checks, it will end any confusion. 

Carlton Leatherwood's Texas: Kneeskern dresses way down




Artist and writer Mark Kneeskern says the easy thing about most of his creative work is he just lets it tell him what to do. Surely it was a strange creative voice inside his head that laid out his costume for the opening of his Sixth Annual Funky Junk art show at the Starlight Theatre last Saturday.
The themed outfit was dreadlocks (long braids of hair) and mud.
"I started walking around in the desert looking for material," Kneeskern said, "and I wasn't finding much. Then I remembered I had burlap coffee bags from a coffee shop up in Colorado."
He needed to cover his body somehow, but he didn't want anything on his upper body because it was hot.
"So I made a skirt, a tribal skirt," the artisan of the weird explained. "It was like an African kilt. I was thinking tribal since the show is funky junk. I told people they could come as white trash or tribal trash. I went for the tribal trash."
He cut the bags up.
"It was like dreadlocks, and I started tying all these dreadlock things to my hair with twine. So I had all these crazy things hanging off my head. My hair was getting all tangled up. But I had to cover the top of my head because it didn't match the dreadlocks. I thought mud."
To him that was perfect. To him it was fun to play with mud anyway, cover yourself with mud.
"Whenever you get the chance as an adult, you feel like a kid again," Kneeskern said. "So I started splattering myself with mud. It fit right in with the dreadlocks."
He slept that night with all that mud on him.
"We don't have a shower, and I didn't want to start dumping water on my head. I had been partying quite hard--we always have a great time opening night. I crashed out in my mud and dreadlocks right next to Shannon (Carter).

Photo by Jessica Lutz

"She looked over at me this morning and just started laughing--dirt all over the bed. She was too amused to get mad."
No one knows what to expect opening night.
Clayton Drinkard came in with boxes all over his body. He was a box man and "had a TV set on his head. He does political humor stuff now and then, so he was a propaganda man. And then a couple of other friends showed up with all this junk strapped to their bodies. They were warriors. And then Shannon always does an amazing costume. That's her high art."
There were a couple of streakers, too.
"I was shocked."
Kneeskern said there's always a bunch of people that dress up for every show. "That's one of the fun things about it. Some people just like to make costumes. I'm really happy about people participating in that way."
And then there were among all the junk art the huge ponderosa pine logs which Joe and Sue Rife brought Kneeskern from Steamboat Springs. He carved them as the the logs told him what to do.
"They are like totem poles," the artist said, "but they aren't that tall, maybe five feet or so. I peel the bark off, and then I start looking at them. The parts that want to be chopped off--they tell me--I chop them off. Then I start looking for a face.
"It will always come out. There's the nose. Now where's the eyes, where's the mouth? As I'm working, it will change. Sometimes it will change dramatically, do a 180 and there's a better face. And so that is the art form of carving. It takes a long time. Not as long as writing. It took so long to do that book."
The book is "The Last American Hitch-hiker: Tale of Wander," published last year. And Kneeskern took a sabbatical from speaking about his art. "Most people who get my book used to hitch-hike," the writer said. "I'm still on a book tour. I'm going to do talks wherever I go."

Photo by Voni Glaves

He plans another book. "What I'm going to do is write about buses and trains. This year I had my broken foot so I ended up riding the Greyhound, and, of course, I had to write about it, otherwise it would have been torture and no dividend.
"These people have all these crazy life stories. It's like hitch-hiking except you are trapped in a bus. You get stressed out because you have to make the bus on time, the connections. Whereas when you are hitch-hiking, you have no idea when your connection is going to come.
"You have a lot of prisoners on there," he said, "people who have been in prison, on their way to prison, or should be in prison. I may be one of them."
As for shaping those logs, "I use a plain old hatchet," he said. "But it is funky junk, and where I bring the funky junk in is the hat. I go out into my junkyard. I have a pretty good junkyard now. People give me junk all the time. It's like a filing cabinet for junk.
"I try all these different hats before I find the right one. It takes awhile, because they have personalities, you know. Certain hats don't look right on me or you. I consider them to be real people in a way. And then I paint them."
Funky Junk runs through March.
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The Coffee Cup: Jim Keaveny Has a Romance With Ecuador


The Coffee Cup: Jim Keaveny
Has a Romance With Ecuador
For a musician who loves to travel, the country was a God send--talented musicians to back him up, cheap hotel rooms, and extravagant lunches. Jim Keaveny, so good vocally and on guitar and harmonica, has just returned from more than a month in Ecuador.
"I have always wanted to spend a lot of time in South America," he said as we sat on the balcony of High Sierra. "I want to live down there to be honest. I just like seeing new places after being too long in one place."
He played two solo gigs, "but the second night I made so many friends, and they said tomorrow night we're doing an open jam, and you should come in.
"It turns out they were very talented guys, one on drum and guitar, and the other on guitar, bass, and drum. They invited me up to play for an hour. They backed me, and we had a great time. And the bass player's wife came up and sang.
"They just jumped in and played my songs perfectly. It was unbelievable."


Where did you stay?
"Mostly in hotel rooms," Jim answered. "If you do a little shopping, you can find really nice rooms with your own bathroom for roughly $10 a night.
"I stayed in Puerto Lopez eight days in a row. For $8 a night, I was on the third floor of a beautiful place, very friendly people running it, two blocks from the beach, and a maid cleaning my room every day. There was a balcony on one side and a patio on the other."
Lunch is the big meal daily. "It always comes with juice and soup," Jim said, "lasts as long as three or four hours, and costs $2 or $3."
"I'm thinking of snowbirding down there," he said, "spending the winters. The winters are nice here, but the wind starts to annoy me. That's one thing about Ecuador, there's never any wind. They are right on the equator, and there is no turbulence. You get nice sea breezes, but you don't get high winds."
The last time we had talked Jim was planning another CD. Have you worked on that? I asked.
"Funny you asked because I have been working on it all day," the Terlingua musician replied. "I've got the material. I'm planning to go do the first session in the studio in one or two months." 

Spring is a poppin' in the Big Bend of Texas; Photo Essay by Voni Glaves

 Spring is a poppin' 
in the Big Bend of Texas
Mormon Tea (Thanks reader!)
Photo Essay by Voni Glaves
Ocotillo preparing a flame

The sweetest aroma of the tricolor

A Yucca and two more teasing
Buds on a Prickly Pear
Leaves first and then RED roses


Mesquite leaves are the Definitive Sign of Spring

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A Local Oilman Talks About Frac'ing

A Local Oilman Talks About Frac'ing
Rush Warren and Frac on top of Tres Cuevas

From the top of Tres Cuevas Mountain, you can see forever, but at the lower elevation, where frac'ing is discussed, the view is not so clear.
I accepted the invitation of Rush Warren to visit him at Lone Star Ranch, near the base of the mountain. It is his and wife Penni's home. The ranch is north of Lajitas International Airport and is named after Lone Star Mine, which is located on the top and back side of Tres Cuevas Mountain.
Rush says the original mining town of Terlingua was here. It is his understanding that 3,000 to 5,000 people inhabited the town around 1900. Several ruins still stand, including the Terlingua Jail and a machine shop.
Rush is president of Warren Acquisition, Inc., whose business is oil and gas exploration. He had told me that frac'ing in oil and gas fields dated to the 1970's. With documentary movies like "Gasland," which portrayed gas coming out of water faucets being ignited and a story last week headlining "Big Oil, Bad Air: Fracking the Eagle Ford Shale of South Texas," I wanted to get an oilman's opinion.
We had exchanged email on the subject, and Rush sent me an article by the Geological Society of America (GSA) that it said was a primer for the general public and journalists. Rush gave the article a solid "A" and nearly an "A plus." To begin the Big Bend Times ongoing coverage of the issue, I will quote liberally from the write-up.
Rush does take exception with the article's use of the word fracking instead of frac'ing. Incidentally, he named his labrador retriever Frac more than nine years ago.
As we were seated on his sofa, the area oilman and neighbor stood by this email assertion:
"I hear of people claiming to be environmentalists banging the war drums of environmental concerns of frac'ing, which for some reason they call 'fracking.' I have yet to actually hear of anything that has actually happened as a direct result of frac'ing.
"I have heard them attempt to claim that it causes earthquakes and water quality issues, among other disasters in an attempt to scare gullible people, but facts backing their stories are lacking. It is interesting that even though we have been using huge frac jobs since the 1970's that all of a sudden now it causes earthquakes.
"Frac'ing may be new news to them, but oil people have known about fracs for decades. These stories are created to instill fear in the people in order to promote a political agenda against the use of hydrocarbons in general."
According to the GSA report, hydraulic fracturing, also called frac'ing, is a technological process used in the development of natural gas and oil resources. Used commercially since the 1940s, it has only relatively recently been used to extract gas and oil from shales and other tight reserves. Development of lower cost, more effective fracturing fluids, with horizontal well drilling and subsurface imaging, created a technological breakthrough that is largely responsible for the increase in domestic production of shale gas in the last few years and longer for tight gas.
Continued use of hydralic fracturing can be expected, given projections of future shale gas and tight gas contributions to total U.S. gas production, unless it is banned or replaced by other technologies. Hydraulic fracturing has expanded oil and gas development to new areas of the United States and internationally, including Canada, Australia, and Argentina. In contrast, some governments have limited the use of it. For example, South Africa only recently lifted a moratorium, New York State has a moratorium, and France has banned its use.
Hydraulic fracturing has become a highly contentious public policy issue because of concerns about the environmental and health effects of its use. What are the environmental risks? What are the health risks from the chemicals injected into the ground? Will it take away water needed for food production and cities? Does it trigger earthquakes? Does expansion of this technology for fossil fuels mean a decreased commitment to renewable energy technology?
Oil and natural gas, which are hydrocarbons, reside in the pore spaces between grains of rock (called reservoir rock) in the subsurface. If geologic conditions are favorable, hydrocarbons flow freely from reservoir rocks to oil and gas wells. Production from these rocks is traditionally referred to as "conventional" hydrocarbon reserves. However, in some rocks, hydrocarbons are trapped within microscopic pore space in the rock. This is especially true in fine-grained rocks, such as shales, that have very small and poorly connected pore spaces not conducive to the free flow of liquid or gas (called low-permeability rocks).
Natural gas that occurs in the pore spaces of shale is called shale gas. Some sandstones and carbonate rocks (such as limestone) with similarly low permeability are often referred to as "tight" formations. Geologists have long known that large quantities of oil and natural gas occur in formations like these (often referred to as tight oil or gas). Hydraulic fracturing can enhance the permeability of these rocks to a point where oil and gas can economically be extracted.
Frac'ing is a technique used to stimulate production of oil and gas after a well has been drilled. It consists of injecting a mixture of water, sand, and chemical additives through a well drilled into an oil- or gas-bearing rock formation under high but controlled pressure. The process is designed to create small cracks within (and thus fracture) the formation and propagate those fractures to a desired distance from the well bore by controlling the rate, pressure, and timing of fluid injection. Engineers use pressure and fluid characteristics to restrict those fractures to the target reservoir rock, typically limited to a distance of a few hundred feet from the well. Proppant (sand or sometimes other inert material, such as ceramic beads) is carried into the newly formed fractures to keep them open after the pressure is released and allow fluids (generally hydrocarbons) that were trapped in the rock to flow through the fractures more efficiently.
Some of the water/chemical/proppant fracturing fluids remain in the subsurface. Some of this fluid mixture (called flowback water) returns to the surface, often along with oil, natural gas, and water that was already naturally present in the producing formation. The natural formation water is known as produced water and much of it is highly sailine. The hydrocarbons are separated from the returned fluid at the surface, and the flowback and produced water is collected in tanks or lined pits. Handling and disposal of returned fluids has historically been part of all oil and gas drilling operations, and is not exclusive to wells that have been hydraulically fractured. Similarly, proper well construction is an essential component of all well-completion operations, not only wells that involve hydraulic fracturing. Well completion and construction, along with fluid disposal, are inherent to oil and gas development.
Desolate machine shop

Terlingua Jail

The Coffee Cup: Artist Lori Griffin To Open a Show with Lots of Texture


The Coffee Cup: Artist Lori Griffin
To Open a Show With Lots of Texture
"ANEW," the art show of Lori Griffin, opens Monday at Earth and Fire Imports Gallery in Terlingua and runs through March 16.
It is a show of series, one inspired by a book about West Texas creatures that the the artist is writiing for her two-year-old grandson.
There will be four pieces of the West Texas Predator Series in the show. Other series include Tree Folk and Colorful Crosses.
"But as always, there are functional pieces," Lori said. "And I believe that everyone should be able to afford art, so the prices range from $10 to $800. The art is unique and intended for both kids and adults to enjoy."
She said there is lots of texture.
"Every piece is made using upcycling," she explained. "I take "old" materials to make "new" art. Making upcycling art requires combining methods and techniques. It is challenging and time consuming, and draws on ones imagination.
"The end result is funky collage art," she concluded. "I love making it!"
The Earth and Fire gallery is in Ghost Town.
The artist's reception for the Out with the Old--In with the New show of textured art is Monday from 4 to 7 p.m.
Oh, and that lucky grandson is named Logan.

Carlton Leatherwood's America: Texas Prepared Me for This Journey to See Our Country

Carlton Leatherwood's America:
Texas Prepared Me for This Journey 
to See Our Country




In the 1980s I got close and personal to Texas. Now begins a similar pilgrimage to see America. Our state took an untold number of forays to grasp even a modicum of understanding of my rich heritage. Today, look back with me to those golden years, especially the time spent in the Big Bend.
Here is what I said in an unpublished book:
If I were as wise as prize-winning author John Steinbeck, I would have known that this journey--the compilation of a book called "The Other Side of Texas"--would end earlier than anticipated. He said before visiting Texas and the Deep South that his search for America "had been like a full dinner of many courses, set before a starving man. At first he tries to eat all of everything, but as the meal progresses he finds he must forgo some things to keep his appetite and his taste buds functioning."
My journey started innocently enough. Friends up in New England wanted to travel in Texas as I had done in their part of the country. I wasn't sure what to show them, however, so I looked around. Taking them to see an oatmeal sculpture of an armadillo holding a bottle of Lone Star beer didn't seem right. Too much of an overstatement of state chic. I went on to search for subtler pleasures.
I found excitement in an armadillo on the loose in the lush woodland of East Texas. I discovered that the only wild flock of one of the rarest birds on earth, the whooping crane, is the superlative reason for visiting the Coastal Bend of Texas. (More than 400 of the roughly 540 other species of birds in the state also live or migrate there.) For some visitors to the state, in fact, birding may surpass all other attractions; national authority Roger Tory Peterson says Texas boasts the greatest variety in the country, with California a distant second.

The tremendous beauty of the coastal region is not immediately apparent. Just as mountains were considered impediments to travel before artists and writers awakened us to their aesthetic quality, so the flat marshes and shallow bays pass monotonously before the untrained eye. It helps to read about the birds, grasses, and other life in those estuaries where such dining delicacies as shrimp mature rapidlly and blue crabs thrive. You then possess something with which to contemplate the richness of the land. And it is rich. Roy Bedichek, a nature writer, said the Texas coast is a storehouse of natural wealth unparallelled elsewhere in the world in so little space. He noted the commingling of such natural elements as oil and gas, farmlands, harbors, climate, and the fishing industry.
The more I travelled the more I got to know the people of Texas. One of my favorites was a consummate storyteller by the name of Hallie Stillwell, who had a ranch in the Big Bend region of West Texas. On a wintry day in 1985 she spoke in possibly the only sunny spot in the state. A massive snowstorm had blanketed the desert and many other areas with ice crystals. The occasion, however, was appropriate enough--the Cookie Chilloff at Terlingua, a spoof of the more publicized Chili Cookoff.
"I like to talk about our old citizens, our old cowboys," Stillwell said. "One I like to tell about is Aaron Green. We always called him Noisy. He lived on the east side of the Chisos Mountains at a place called Dugout. One time he was asked what he did at a dance. He said he took the school teacher. That's all he said.
"The next day somebody asked the school teacher if Noisy said anything. It was a twenty-mile ride horseback down there and twenty-mile ride back. They danced all night. The teacher said, 'Oh, yeah, Noisy talked quite a bit." She said as they rode down he said, 'You see that owl sitting over in the tree?' The next day as they came back, he said, 'Ain't it got big eyes.'"
"Another tale is on Lou Buttrill and John Henderson," Stillwell continued. "Lou and the neighbors were having this roundup, and in those days all of the ranchers gathered together and worked their cattle from one outfit.
"Lou happened to have charge of this one. This early morning they were roping out the mounts for each cowboy, so Lou said to John, 'I want you to ride Old Don.' John said, 'I don't want to ride Old Don; he's the worst pitching horse in this country.' Lou said, 'Why old Don hasn't pitched in a year.'
"So John said, 'Okay, I'll ride him.' He saddled him up and when he did Old Don just let him have the awfullest pitching that ever was. John was one of the best riders in the country, and he rode him all right. After the horse settled down and they were driving the cattle, John rode up to Lou and said, 'I thought you told me Old Don hadn't pitched in a year.' Lou said, 'He ain't been rode in a year.'"
By the time I got to the Hill Country, aptly called the heartland of Texas, the simple meal of travel I was preparing for my out-of-state friends had turned into a feast. To the courses of natural history and people I had added a third dimension, physical activity.
I had decided I would immerse them in two extremes of the spectrum of water excursions. We would raft the beautiful desert canyons of the Rio Grande and frolic in old-fashioned swimming holes in the hills that an 1854 traveler, the famous landscape designer Frederick Law Olmsted, described thus: "For sunny beauty of scenery and luxuriance of soil, it stands quite unsurpassed in my experience, and I believe no region of equal extent in the world can show equal attractions."
I could have sandwiched in any number of other activities, including ranch life or more resort-oriented diversions such as tennis. Or a blend of both: If the laid-back life of a ranch had appeal, but a person's game was tennis, not horses and cattle, John Newcombe's Tennis Ranch awaited us. The instruction in a five-day package at Newk's is not laid-back, but life after the courts moves at a slower pace in and around a fine old rock ranch home on a hill blanketed with acorns in the fall. And any time you sit down to a meal, you sit down with people who have one thing in common: they love tennis.
I was relaxing in the whirlpool after a particularly tough day and asked a group of Oklahoma women who come every year why they put out so much energy. It couldn't be for all the Gatorade and oranges a person wants at breaks on the courts. No, one told me, "It's three hours less than I iron a week."
Newcombe, an Australian who was singles champion at Wibledon in 1967, 1970, and 1971 and the U.S. Open in 1973, bought the ranch with Graeme Mozeley and Clarence Mabry, who coached a string of world-class players at Trinity University in San Antonio for twenty years. The Aussie flavor is found at the bar in Foster's beer. The brew comes in a container the size of an oil can.
I started bumping into things cosmopolitan at Newk's. That shouldn't have surprised me, since Texas, like the whole United States, is a melting pot. Some 30 cultural and ethnic groups settled it. And at the tennis ranch in late afternoon teenagers with skins of varied hues filled up many of the courts.
I bumped into all sorts of cutural artifacts more often associated with cities before I finished visiting the isolated parts of Texas. I ran into the name of Monet in the desert of the Big Bend. At the ghost town of Terlingua I heard song about Isla Mujeres, an island destinatin of Houston yachtsmen across the Gulf of Mexico. And at the tiny classical music oasis of Round Top east of the Hill Country I learned to appreciate Schubert.
By this time I was yearning to add to the book the intellectual pursuits of the cities, where the dreamers lead campaigns for great symphonies, theaters, and libraries and plan America's charges into space. But I had gorged too much for one journey. The taste buds weren't responding. And probably a publisher wouldn't to such a gluttonous volume. My friends would have to settle for the grand architecture of Houston on the way from the airport.
My journey also took a nostalgic curve through East Texas, as good trips sometimes do. When I was growing up, my father sold drilling muds and chemicals, moving his family throughout the Texas oil fields before settling in Beaumont, the site of the first major oil gusher. The oil well, the Lucas discovery well in the Spindletop field, had roared in January 10, 1901. Along the way, driller Curt Hamill needed to flush out the cuttings. He drove cattle into a nearby pond, and their milling-about produced the mud that, when pumped into the well, would bring up the cuttings. My dad didn't know his job, by then much more sophisticated, had developed almost in the backyard of our family home.
On my trip, I drove north through the pine forests, searched out the first steel oil tanks and toured the East Texas Oil Museum at Kilgore, not far from where I had started school. My mother, with me along as a child, had stopped at roadside stands for produce. Now I sought out fresh tomatoes, beans, and squash at farmers' markets in Lufkin and Tyler. Later a friend and I picked blueberries in an open field. An employee at a small restaurant in Jefferson was kind enough to wash and serve them with ice cream. And it is to Jefferson that I bring fellow travelers who long to taste the nostalgia for a simpler life during the Victorian period.

Texas is all things to all people. The mix of cultures has created a breed of people not unlike the longhorns, the tough cattle of crossed ancestry that also developed on this land. We Texans share the resourcefulness of the Dutch, the industry of Germans, the colorful dress of the Spanish, and the indomitable spirit of the British. To survive, many have to have the same toughness of the cattle. Survive, and thrive, they do.